Oct 01, 2017

The Creative Music Guild’s Extradition Series will present its fall 2017 concert on Saturday, October 21, dedicated to composer Pauline Oliveros (1932–2016) as we approach the one-year anniversary of her passing. The concert will feature seven intimate works of 20th- and 21st-century experimental music, performed by a cast of outstanding regional musicians:

~ Antoine Beuger, “Cantor Quartets” (2003): A 15-page score, with each page containing four lines of seven notes each, “Cantor Quartets” is performed as a round, with four performers entering sequentially as the performer before them finishes a line – meaning each page begins as a solo, them becomes a duo, trio, and finally quartet. The ensemble is free to play as many pages as they choose, in any order. The piece will be performed by Lee Elderton (clarinet), Mike Gamble (eBow guitar), Andre St. James (bass), and Evan Spacht (trombone).

~ Christopher Hobbs, “Two Compositions, 21 May 1969 (No. 2)”: One of the many “performance rites” devised by Cornelius Cardew’s Scratch Orchestra, this text-based composition gives almost no indication of how the music should or will sound. Instead, it provides a simple structure of visual cues that signal performers to play “for a short time.” In the resulting spaciousness, the music appears as blooms in a desert – short, bright moments that are all the more remarkable for their rarity and contrast with the stillness all around. The piece will be performed by Sage Fisher (harp), Mike Gamble (nylon-string guitar), Gina James (voice), Dana Reason (piano), Andre St. James (double bass), Alyssa Reed-Stuewe (voice), Bonnie Singer (voice), and Marion Van Namen (voice).

~ Pauline Oliveros, “Two for T” (date unknown): Another intimate duet, in which each player is asked to combine directions provided by the composer into a new, individual score. In performance, the challenge involves reconciling the sometimes competing imperatives of these individual scores to create a harmonious whole. The piece will be performed by Catherine Lee (oboe d’amore) and Matt Hannafin (percussion).

~ Gordon Mumma, “7/5 a Pauline Oliveros” (1978) and Tom Johnson, “Chain II / Chain III” (1967): Gordon Mumma’s piece is a small gem, taking less than two minutes to perform. Tom Johnson’s pieces are flow charts for creating spontaneous music. For this performance, pianist Dana Reason will play the pieces sequentially, using the notes and chords of the Mumma composition as raw material for navigating Johnson’s structures – essentially creating a deconstruction and reorientation of Mumma’s etude.

~ Daniel Brandes, “A Dwelling Place for You” (2014): A simple, intimate work scored for two singers, who are asked to immerse themselves in the experience of singing to and with each other, accompanying themselves with the sound of natural objects – dry leaves, water, pebbles, etc. The piece will be performed by Blanca Stacey Villalobos and Lara Pacheco (voices, objects).

~ Dana Reason, “Folded Subjects: Olive Rose” (2017): Composed for the recent “Still Listening” tribute exhibit honoring Pauline Oliveros, “Folded Subject: Olive Rose” asks performers to reinterpret a piece of written music by folding the pages in various ways and actualizing a number of simple directions, revealing alternate paths into the music. The piece will be performed by Lee Elderton (soprano sax), Mike Gamble (guitar), Catherine Lee (oboe), Andre St. James (double bass), and Evan Spacht (trombone).

The Extradition Series is a quarterly concert series presenting composed and improvised New Music and works from the 20th-century experimental tradition. The series is directed by Matt Hannafin and presented by the Creative Music Guild.

Saturday, October 21, 2017
Doors open at 7pm, music starts at 7:30pm
Leaven Community Center, 5431 NE 20th Ave @ Killingsworth, Portland, OR
Admission $5 – $15 sliding scale (door sales only)

Oct 8th, 2017 — 8pm
$10, sliding scale
Leaven Community Center
5431 NE 20th Ave, Portland, OR
Oct 4th, 2017 — 8pm (over by 10)
$5-15, sliding scale
Turn Turn Turn
8 NE KIllingsworth
Sept. 6th, 2017 — 8pm (over by 10)
$5-15, sliding scale
Turn Turn Turn
8 NE KIllingsworth
Sept 20, 2017 — 8pm
$10-20, sliding scale
Fremont Theatre
2393 NE Fremont Portland, OR
May 28, 2017

The Extradition Series 2017 Summer Concert will take place on Saturday, July 22, at Leaven Community Center in NE Portland. The concert will include seven intimate works of mostly 21st-century experimental music, performed by a cast of outstanding regional musicians:

> Samuel Vriezen, “The Weather Riots” (2002): Written for two or more high-pitched instruments, this piece by Dutch composer Vriezen allows each performer to construct his or her own score from the same set of parts, selecting among melodic fragments that can be combined in many ways. The piece will be performed by Lee Elderton (clarinet), Catherine Lee (oboe), and Matt Carlson (piano).

> Giacinto Scelsi, “Ko Tha” (1967): For this solo work, the guitar is treated as a percussion instrument, played with a series of complex rhythms and ringing tones. This performance will feature guitarist Doug Theriault on electric guitars, a break from tradition for this typically acoustic piece.

> Nomi Epstein, “Combine, Juxtapose, Delayed Overlap” (2013): A work for four or more instruments of any variety, each of them limited to three sounds apiece. The title conveys the piece’s entire structure, with musicians playing their sounds either in harmony, following directly one after the other, or overlapping the last seconds of the musician that precedes them. The order of players shifts continually, creating interest from a limited palate. The piece will be performed by Matt Carlson (electronics), Loren Chasse (percussion), Lee Elderton (soprano sax), Matt Hannafin (percussion), Branic Howard (electronics), and Reed Wallsmith (alto sax).

> Taylor Brook, “Alluvium” (2016): A piece for oboe and pre-recorded sound, based on the concept of microtonal drift, which occurs when modulating to different keys in an extended just-intonation context, causing the tonic to gradually drift away from equal temperament. Over the course of the piece, the tape part plays a series of precisely tuned microtonal modulations that gradually drifts the harmony from an E-flat tonal center to a D tonal center, spiraling through unfamiliar harmonic territory all along the way. The piece will be performed by oboist Catherine Lee, for whom it was written.

> Branic Howard, untitled (2017): A work for oboe and electronics, commissioned and performed by Catherine Lee. More details to come.

> Anastassis Philippakopoulos, “Onissia” (2002) and “Song No. 2” from “Two Piano Pieces 2006–2008”: Two simple, spacious solo works by Greek Wandelweiser composer Philippakopoulos, played sequentially by Jonathan Sielaff (bass clarinet) and Matt Carlson (piano).

The Extradition Series is a quarterly concert series presenting composed and improvised New Music and works from the 20th-century experimental tradition. The series is directed by Matt Hannafin and presented by the Creative Music Guild.

Saturday, July 22, 2017
Doors open at 7pm, music starts at 7:30pm
Leaven Community Center, 5431 NE 20th Ave @ Killingsworth, Portland, OR
Admission $5 – $15 sliding scale

http://www.facebook.com/TheExtraditionSeries
https://youtube.com/c/TheExtraditionSeries

June 21st, 2017 — 8pm
5-15, sliding scale
Turn Turn Turn
8 NE KIllingsworth
May 04, 2017

Improvisation Summit of Portland 2017

Featuring: Bobby Previte, Andrea Kleine, Lori Goldston, Sarah Hennies, Jonah Parzen-Johnson, Wobbly, and many, many more…..

Full Schedule and Bios on ISP 2017 site